The main characters of the story "Thick and Thin" are childhood friends, two school friends. One of them is called Porfiry, the other is Michael. They had not seen each other for a long time and met by chance at the railway station. Porfiry had just stepped off the train with his wife and son, a school student. After mutual hugs and greetings, the friends happily looked at each other. Porfiry was very thin, and Mikhail was a rather thick man.
They began to ask each other about life, about achievements. Porfiry said that he had risen to the rank of collegiate assessor and also earns an additional living by making cigarette cases. His wife gave music lessons. In response, Mikhail said that he had the rank of Privy Councilor. Hearing this, Porfiry's face changed. From that moment on, he abruptly changed his manner of speaking and began to fawn and fawn in every possible way in front of his high-ranking friend.
Mikhail tried to stop the stormy expression of servility, but Porfiry continued to express himself in the same flatteringly servile manner, calling his school friend "your excellency." As a result, Mikhail lost interest in further conversation, it became unpleasant for him to communicate with such an openly flattering person, and, having said goodbye to Porfiry, he left. Takovo summary story.
The main idea of the story "Thick and thin" is that flattery, servility and excessive servility are not the most The best way talking to someone you've known for many years. Of course, there are people who like naked flattery, but still more of those who prefer open, natural behavior when communicating.
The story "Thick and Thin" teaches any person to be, first of all, himself and maintain a natural style of behavior when communicating with other people, regardless of their ranks and titles.
In the story, I liked Mikhail, who was the first to call out to an old school friend when he saw him getting off the train. Mikhail, despite his high position, was sincerely glad to meet his friend, although he could not help but see from Porfiry's appearance that he occupied a modest place in the ranking table. Mikhail was genuinely interested in the life of his friend and his success until Porfiry began to communicate in an emphatically flattering manner. This format of communication was unpleasant for Mikhail, and he realized that he would no longer be able to communicate with an old friend in a simple way, as in childhood.
What proverbs are suitable for the story "Thin and fat"?
Friendship is strong not by flattery, but by truth and honor.
Feigned flattery is worse than wormwood.
Material from Wikipedia - free encyclopedia
"Thick and thin"- a satirical story by the Russian writer Anton Pavlovich Chekhov, created in 1883. It was first published by the humor magazine Shards on October 1, 1883.
History of creation
The plot of the story "Thick and Thin" in its original version was based on an anecdotal incident, and the conflict between the characters arose by chance, due to the involuntary oversight of the "thin" one.
The 1886 edition, being generally textually close to the 1883 edition, few changes made significantly changed the meaning of the story. The motive of official subordination was eliminated: the "thin" now grovels before the "thick" without any practical need - "by reflex". The story received a much greater satirical sharpness and generalization.
Characters
Main characters- Misha - Fat
- Porfiry - Thin
- Louise - Porfiry's wife
- Nathanael - son of Porfiry
Plot
At the Nikolaevskaya railway station railway two old friends met. One of them was "thick" and the other was "thin". Thin - Porfiry - just got off the train, leaving with his wife Louise and son Nathanael. The fat one - Misha - recognized the thin one and immediately greeted him. Friends have spoken. Porfiry as a child bore the nickname Ephialtes because he "loved to talk to." Misha in childhood was nicknamed Herostratus for the fact that he "burned the state book with a cigarette."
Thin told the fat man that he was a collegiate assessor and sarcastically asked if Tolstoy had risen to the rank of "civilian". However, the fat one turned out to be a Privy Councilor, after which Porfiry's tone changed to obsequious and obsequious. Tolstoy could not bear this change in behavior and said goodbye to Porfiry.
In culture
Write a review on the article "Thick and thin"
Notes
Links
- www.anton-chehov.info/pamyatniki-chexovu.html (photo of the sculptural group in Taganrog)
An excerpt characterizing Thick and Thin
Pierre gave her his word of honor.– Is he still here? she asked quickly.
Yes, I saw him just now.
She was obviously unable to speak and made signs with her hands to leave her.
Pierre did not stay to dine, but immediately left the room and left. He went to look for Anatole Kuragin in the city, at the thought of which now all his blood rushed to his heart and he experienced difficulty in taking breath. On the mountains, among the gypsies, at the Comoneno - he was not there. Pierre went to the club.
Everything in the club went on in its usual order: the guests who had gathered for dinner sat in groups and greeted Pierre and talked about the city news. The footman, having greeted him, reported to him, knowing his acquaintance and habits, that a place had been left for him in a small dining room, that Prince Mikhail Zakharych was in the library, and Pavel Timofeich had not yet arrived. One of Pierre's acquaintances, between a conversation about the weather, asked him if he had heard about the kidnapping of Rostova by Kuragin, which they were talking about in the city, was it true? Pierre, laughing, said that this was nonsense, because now he was only from the Rostovs. He asked everyone about Anatole; he was told by one that he had not yet come, the other that he would dine to-day. It was strange for Pierre to look at this calm, indifferent crowd of people who did not know what was going on in his soul. He walked around the hall, waited until everyone had gathered, and without waiting for Anatole, he did not dine and went home.
Anatole, whom he was looking for, dined with Dolokhov that day and consulted with him about how to fix the spoiled case. It seemed to him necessary to see Rostova. In the evening he went to his sister's to talk with her about the means of arranging this meeting. When Pierre, having traveled all over Moscow in vain, returned home, the valet reported to him that Prince Anatol Vasilyich was with the countess. The drawing room of the Countess was full of guests.
Pierre did not greet his wife, whom he did not see after his arrival (she was more than ever hated by him at that moment), entered the living room and, seeing Anatole, went up to him.
“Ah, Pierre,” said the countess, going up to her husband. “You don’t know what position our Anatole is in ...” She stopped, seeing in her husband’s head lowered, in his shining eyes, in his resolute gait, that terrible expression of fury and strength, which she knew and experienced on herself after the duel with Dolokhov.
“Where you are, there is debauchery, evil,” Pierre said to his wife. “Anatole, let’s go, I need to talk to you,” he said in French.
Anatole looked back at his sister and obediently got up, ready to follow Pierre.
Pierre, taking him by the hand, pulled him towards him and left the room.
- Si vous vous permettez dans mon salon, [If you allow yourself in my living room,] - Helen said in a whisper; but Pierre, without answering her, left the room.
Anatole followed him with his usual, youthful gait. But there was concern on his face.
The satirical story "Thick and Thin" was created in 1883, refers to the early work of Chekhov. His first publication took place in the humorous magazine "Shards" on October 1 of the same year. At first, the plot of the story was based on an anecdotal incident, and the conflict between "thick" and "thin" arises inadvertently due to the latter's mistake. In 1886, the story was edited; in general, the text was close to the original version of 1883, but some changes made quite significantly changed the meaning of the story. The author removed the motive of subordination in the service. The “thin” now fawned over the “thick” without any practical background, purely out of habit and a developed reflex. Thanks to the changes made, the story became more generalized and satirically sharp.
The ideological content of the story lies in ridiculing servitude and the way of thinking associated with it. The author shows how ridiculous and pathetic a person is for whom a position and social status beyond mere human relationships. Main character a little man who makes himself so, servile even when there is no need for it. In the story, we see the world of the "thin", the world of slave psychology, which the writer mercilessly and truthfully exposes. A world in which man voluntarily loses his dignity and his personality.
Story analysis
Plot
The action takes place at the railway station, where two old school friends meet, one of them is "fat", the other is "thin". “Thin” gets out of the arriving car, accompanied by his thin wife and his equally teenage son in a gymnasium uniform, while “fat” leaves the station buffet, where he apparently had a rather hearty lunch. Friends happily meet and begin to ask each other about life, who has achieved what. To the question of thin Porfiry, who he has now become, fat Misha, without any ulterior motive, replies that he is now an important official, a secret adviser.
This is where a striking metamorphosis takes place with Porfiry and his entire family, which leads Misha into some confusion. The son of a high school student instantly fastens with all the buttons and stretches out. The long chin of Porfiry's wife becomes even longer, and he himself begins to behave like at a reception with an important official with a petition. He begins to fawn, switches to “you”, giggles humiliatedly. Misha tries to reason with him: "stop it, we're old friends." However, Porfiry does not let up and continues to behave in the same spirit. This becomes so unpleasant for Fat Misha that he tries to quickly say goodbye to Porfiry and leave.
Main characters
Speaking of the Porfiry family, one can speak of all three as one person, since the head of the family, judging by their behavior, was able to mold his exact likeness from his wife and son. If at the beginning of the story they all behave like normal people rejoicing at the meeting with an old friend, then, after the news of Tolstoy's position, the same metamorphosis takes place with them, as with Thin. It is safe to say that the position of a person is above all for them. All this family lives by the principle "I am a worm in comparison with him, in comparison with him, with such a face ...". Crouching before a person of higher position, they will apparently treat with contempt those who are below them in the social level.
In comparison with them, Misha evokes more sympathy, who, despite the high position that he achieved, nevertheless managed to maintain simple human qualities. Remember friendship, rejoice at meeting an old friend, regardless of his social status. It can be assumed that he is a good-natured and sociable person, arrogance and arrogance are alien to him. That is why, when Porfiry began to express his servility and servility so zealously to him, it became so unpleasant for him that he tried to leave as soon as possible. From this we can conclude that these qualities are alien and unusual to him.
With his stories, Chekhov urges people to stop being slaves, to remember their human dignity and self-respect.
the best traditions of Russian classical literature. The soul of Chekhov, like the soul of the heroes of Tolstoy and Dostoevsky, was in constant, hard, hard work. “You need to train yourself,” Chekhov declared, and in a letter to his wife, O. L. Knipper, noted with satisfaction the beneficial results of working on himself: “I must tell you that by nature I have a sharp character ... but I used to restrain myself, for it is not fitting for a decent person to let himself go.” The penetrating look of the great Russian artist I. E. Repin, at the first meeting with Chekhov, noticed precisely this feature of his nature: “A subtle, implacable, purely Russian analysis prevailed in his eyes over the whole expression of his face. An enemy of sentimentality and lofty hobbies, he seemed to keep himself in the mouthpiece of cold irony and gladly felt the armor of courage on himself. The desire for freedom and the energy of self-education associated with it were hereditary qualities of Chekhov's character. “What noble writers took from nature for free, the raznochintsy buy at the cost of youth,” Chekhov said to one of the Russian writers. servility, ... squeezes a slave out of himself, drop by drop, and how, waking up one fine morning, he feels that it is no longer slave blood, but real human blood that flows in his veins ... ”Autobiographical intonations, the severity of a moral court, so characteristic of the best part of the Russian democratic intelligentsia. Let us recall Bazarov: “Every person must educate himself - well, at least like me, for example ... As for time, why will I depend on it? Let it better depend on me.”
Anton Pavlovich Chekhov was born on January 17 (29), 1860 in Taganrog into a poor merchant family. His father and grandfather were serfs in the village of Olkhovatka Voronezh province. They belonged to the landowner Chertkov, the father of V. G. Chertkov, the closest friend and follower of L. N. Tolstoy. The first Chekhov, who settled in these parts, was (*163) a native of the northern Russian provinces. In the old days, among the masters of foundry, cannon and bell making, the peasant craftsmen Chokhovs stood out, whose surname fell into the Russian chronicles. It is possible that the Chekhov family grew out of this root, since in their family they often used such a pronunciation of the surname - Chokhov. In addition, it was an artistically gifted family. The young Chekhovs believed that they owed their talent to their father, and their soul to their mother. The meaning of the life of their father and grandfather was the indestructible peasant desire for freedom. Chekhov's grandfather Yegor Mikhailovich, at the cost of hard work, saved up three and a half thousand rubles and by 1841 bought the whole family out of serfdom. And his father, Pavel Yegorovich, already a free man, made his way into the people and started his own trading business in Taganrog. The family of the writer's mother Yevgenia Yakovlevna also came from serfs, and his fate developed in the same way. Evgenia Yakovlevna's grandfather and Chekhov's great-grandfather Gerasim Nikitich Morozov, obsessed with a craving for personal independence and endowed with peasant energy and enterprise, managed to buy the whole family free back in 1817.
PLEASE REDUCE THE TEXT CHOOSE THE MOST IMPORTANT =) PLEASE STORY FOR MINUTES 3 - 4
Help whoever canI Literature of the 19th century.
1. Name the literary trends of the 19th century.
2. What are the events of the world and Russian history created the prerequisites
for the birth of romanticism in Russia?
3. Name the founders of Russian romanticism.
4. Who stood at the origins of Russian realism?
5. Name the main literary direction second half of XIX
century.
6. What task did A.N. Ostrovsky set for himself in the play "Thunderstorm"?
7. Express the philosophy of the writer A.N. Ostrovsky by example
play "Thunderstorm".
8. What task did I.S. Turgenev in the novel "Fathers and
children"?
9. Why is the novel by I.S. Turgenev's "Fathers and Sons" critics called
anti-noble?
10. Express the main ideas of the novel by F.M. Dostoevsky "Crime and
punishment".
11. Formulate the basic principles of the philosophy of F.M. Dostoevsky and
the protagonist of the novel, Rodion Raskolnikov.
12. Why, in your opinion, the novel "War and Peace" critics
called the "encyclopedia of Russian life"?
13. What distinguishes the positive characters of L.N. Tolstoy’s novel “War and
world"?
14. Name the stages of the spiritual evolution of one of the heroes of the novel: Andrei
Bolkonsky, Pierre Bezukhov, Natasha Rostova.
15. What do the fates of Andrei Bolkonsky and Pierre Bezukhov have in common?
II Literature of the XX century.
1. What phenomena of the social life of Russia influenced the development
literature of the 20th century?
2. What is the name of literature turn of XIX- the beginning of the twentieth century?
3. What are the main literary currents this time?
4. What is the philosophy of I. Bunin's story "Cold Autumn"?
5. What unites the stories of I. Bunin "Cold Autumn" and A.
Kuprin "Garnet Bracelet"?
6. "What you believe in - that is." Which hero of the work of M. Gorky
do these words belong? Explain his philosophy.
7. What is the role of Satin in the play "At the Bottom"?
8. Image civil war in the stories of M. Sholokhov "The Mole"
and Food Commissar.
9. What are the features of the Russian character in the story of M. Sholokhov
"Destiny of Man"?
10. What kind of village did you see in the story of A.I. Solzhenitsyn "Matryonin"
yard"?
11. What philosophical and moral problems does the author raise in
story?
12. What plot episode is the climax in the story “Matryonin
yard"?
13. What unites the characters of Andrei Sokolov (“The Fate of a Man”) and
Matryona Vasilyevna ("Matryonin Dvor")?
14. Which of the Russian writers was awarded Nobel Prize for contributions to
world literature?
literary trends took place
be in the 1900s?
2) What
fundamentally new to the dramaturgy
The Cherry Orchard by Chekhov (I'll tell you
features of the "new drama" are needed)
3)For
that Tolstoy was excommunicated (betrayed
anathema)?
4) Name
the names of the three decadents and explain that
what do you think it was
direction in literature (or not in your opinion
- copy from the lecture)
5) What
is acmeism? (write word for word
from the Internet - do not count), name
several acmeist authors
6) Who
became the main new peasant
a poet? What literary direction
did he try to create afterwards? Was
whether it is viable (on which
kept)?
7) After
revolution of 1917 Russian literature
was involuntarily divided into ... and ...
8) From
this avant-garde school came out like this
poet like Mayakovsky. What creativity
great artist of the 20th century inspired
poets of this school? Why?
9)B
1920s literary group formed
"Serapion brothers", what kind of group is this,
What goals did she set for herself?
what famous writer was part of this
group?
10) Name
the most important book of Isaac Babel. ABOUT
what is she? (in a few words pass
plot)
11) Name
2-3 works by Bulgakov
12) What
Sholokhov's work we can attribute
towards social realism? (This work
corresponded to the official Soviet ideology,
so it was enthusiastically received)
13) Sholokhov
in the language of "Quiet Don" uses a lot
words from local...
14) What
wrote the most important work
Boris Pasternak? What were the names of the main
heroes? What period of time
covers the work? And what is the most important
the event is at the center of the novel
15)Tell me
what happened to literature in the 1930s
years
In Chekhov's work "Thick and Thin" analysis is impossible without certain knowledge about the era in which the writer lived and worked. In the 6th grade, students are not yet familiar enough with the work of A.P. Chekhov, and in literature lessons, additional information may be needed when analyzing the work. All the necessary information is contained in our article: composition, theme and idea, plot and genre, history of creation and criticism.
Brief analysis
Year of writing- 1883.
History of creation- the story was written at the end of the 19th century “on the topic of the day”, touches on the most acute problems of society. The plot is taken by the writer from a situation or story inner circle, reimagined and artistically redesigned.
Subject- servility, servility, slavish thinking and worldview.
Composition- Chekhov's "Thick and Thin" has a classic composition with a small feature: the plot and development of events are more voluminous, the climax and denouement are concise, dynamic and especially expressive.
Genre- story.
Direction- critical realism.
History of creation
In 1883, Anton Pavlovich Chekhov wrote the short story "Thick and Thin". The very title of the work gives a hint of facelessness, and hence the generalization of the images of the main characters. What served as the basis of the plot is not known for certain, perhaps an incident from the writer's life or an anecdotal situation told in literary circles. It is important that the realism of the plot is fully justified. Chekhov, as a doctor, saw all the diseases of contemporary society and tried to reveal and publicize the problems, thereby curing people of the worst vices.
It is known that in the draft version, the fat one was the direct boss of the thin one and accidentally offended him. In the final version, the former childhood friends are not connected by official relations, but the thin one fawns over the fat one “out of habit”, and not out of necessity. Critics received the story positively, it was favorably received and noted as a worthy "artistic reflection of the vices of society." The title of the story is built on the antithesis, antonyms-adjectives express the absolute opposite of the heroes of the work, not only physically, but also spiritually. Theme and idea in the story are interconnected and almost identical: the slave that lives in each of us must be defeated by ourselves. This, according to literary critics, is the essence of Chekhov's work.
Subject
An analysis of the work allows us to draw the following conclusions: the author conventionally designates a society of “thin” and “thick”. “Subtle” ones grovel before high ranks, this is their usual system of relations with the world, they do not represent any other interaction with people. The essence of their life is to divide people into superior and inferior.
The "fat" people are used to living simply and easily, not looking back at others, not noticing ranks and positions, they see people. Life has been too kind to them and has grown a healthy relationship with society. Chekhov emphasizes that once both main characters were children, they lived carefree and were equal to each other. They played pranks, had fun and had the same opportunities in society.
It was the service hierarchy that made the thin man a morally “unhealthy” person. And he raised his child and instilled in his wife his servile views. To understand what the story teaches, it is enough to pay attention to the ending of the story. Main thought- to cause disgust for servility and servility as the lowest ideology in the world. A logical conclusion suggests itself: all people are different, but self-respect is the basis of personality.
Composition
The composition of the story is traditional for the small genre. Analysis of the text “Thick and thin” in terms of compositional structure is not difficult, but has a number of significant points.
A feature of the composition is that the plot and development of events occupy a large part of the volume of the narrative, and the climax and denouement are dynamic, like a shot.
All work is built on opposition, and not only the images of the main characters. If at the beginning the author talks about Tolstoy's delicious breakfast, then at the end he dryly comments on the state of the character (he was sick from the expression on the thin person's face). The work is based on a dialogue between two comrades interspersed with descriptions of the facial expressions of the characters. Occasionally, images of the wife and son of Subtle appear, who change their behavior in accordance with new facts that emerge in the course of the conversation.
Main characters
Genre
Chekhov's story is something more than a standard text of a small volume with one storyline. It was Anton Pavlovich who made this genre legendary. In addition, Chekhov's story is a surprisingly instructive genre, morality is always on the surface, there is no hidden meaning. To understand the work, it is enough just to read the text.
Artwork test
Analysis Rating
Average rating: 4.6. Total ratings received: 352.